KANYE WEST AND FEAR OF AN ANTISEMITIC PLANET

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by Colin Liddell

Kanye West wasn't kidding when he said he was going to go "Defcon 3 on the Jews." This has now become a massive story, especially in the underbelly of the hard-to-control sub-media, where Kanye's claims that the Jews run the financial system and the media — and have him in their sites because he's the "true Jew" — are spreading like wildfire. 

Now CNN is reporting that Kanye is even something of a Hitler fan:

Several people who were once close to the artist formerly known as Kanye West told CNN that he has long been fascinated by Adolf Hitler — and once wanted to name an album after the Nazi leader.

A business executive who worked for West, who now goes by Ye, told CNN that the artist created a hostile work environment, in part through his “obsession” with Hitler.

“He would praise Hitler by saying how incredible it was that he was able to accumulate so much power and would talk about all the great things he and the Nazi Party achieved for the German people,” the individual told CNN.

This is a dangerous game to play, as tying Kanye to Hitler may pull Hitler up more than it pulls Kanye down. Also, Kanye is not exactly wrong. It's not difficult to make the case that Jews have a presence in media and financial circles extremely disproportionate to their small numbers, and that this in turn gives them massive potential influence. Also, having such influence, why wouldn’t they use it in a way that favoured their own ethnic interests — even if that involved screwing over "the real Jews" like Kanye? The answer, of course, is that there is no reason at all, and that using that influence for Jewish interests is only to be expected.

The problem of Jewish influence, however, is that it is always influence, and never, or seldom, direct power. As soon as it becomes direct power, it provokes a reaction that kills it. This is what happened to Rosa Luxemburg, Bela Kun, and the short-lived Bavarian Soviet Republic. In my view, Jews tend to be "compliant influencers", basically giving people what they want and then attempting to mollify the inevitable contradictions that arise. This would even explain why they are pretty good at stand-up.

Even in the Soviet Union, the one case where Jewish power appeared to be most powerfully in the ascendant, it had to deny its Jewishness to such an extent that almost all of the prominent Jews ended up turning against each other and being removed from positions of power by someone less ethnically conflicted. The greatest Jew – as well as the most vociferously self-denying one – Leon Trotsky, ended up with his skull wrapped around a Mexican ice pick.

Jewish "power" – if we must call it that – is always soft power, and soft power usually relies on deception, namely tricking people into believing things that serve the agenda of the group exerting the power. Key to this trickery is hiding the identity and interests of the group exerting the power. However, thanks to the internet and the death of the gatekeeper culture, as well as growing cynicism at the way the world works, it is becoming harder to pull this off. It is especially difficult for a group like the Jews who have been memed to death as hidden hands for centuries.

The suppression of the Alt-Right also didn't work out very well, as it "kinda sorta" played into their narratives of the Jews having too much power.

Yes, well-intentioned but heavy-handed attempts to stamp out anti-Semitism, itself becomes the story, and adds to the pool of cynicism and suspicion about the exercise of soft power and the agendas of the various groups operating in the shadows.

Now – and this is the interesting point – the Jews are not the only group operating in the shadows, pouring soft power into the bloodstream of the world like a corrosive poison. There are other groups – non-Jewish business elites, faceless and raceless Eurocrats, the US military-industrial complex, Putin's gang, the Chinese, those in the pay of the Saudis, the Deep States of almost every major country, etc., etc.

But in a world that has so many unseen levels and levers of power, it is the Jew, with his iconic image and viral possibilities, modelled on the medieval meme magic of the Catholic Church and revived by the memes of the modern anti-Semite, that comes to serve as a convenient hate figure for the unfocused fears that the increasing manipulation of our complex world is producing.

Over in Britain, the system has just been rigged, with an Indian coming in as Prime Minister. But, guess what, don't expect the conspiracy-minded to blame the "Eternal Hindus" for this piece of apparent skullduggery. They have a much better fit for their paranoid whodunnit.

While many groups are guilty of pulling the strings of soft power and hard power, or distorting things to serve their nefarious agendas, the bad karma from this collective abuse or lack of transparency of the system flows overwhelmingly and unfairly back towards the ever-iconic figure of the Jew.

Kanye, with the rapper's "truth-to-power" culture of the "oppressed" finally rising up and, in his case, even trashing the Democrat plantation, is a perfect vessel to give voice to these gathering sentiments, which are much more widespread than most care to admit.

What can the Jews do about the viral possibilities that Kanye has unleashed? Even if all Jews acted with moral rectitude, complete transparency, and total integrity – and stopped leveraging the political process or dialled back their occasionally exploitative pull on the culture – even then, it would perhaps be too late.

We now live in a world that, through its complexity, lack of ethnic unity, and multifarious levels of manipulation, is breeding mistrust, paranoia, and, yes, hatred on an industrial scale. But this same world also has removed the barriers for that paranoia and hatred to flow and coagulate where it will, and where will it flow to? Why, to the eternal scapegoat, of course.

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Colin Liddell is the Chief Editor of Neokrat and the author of Interviews & Obituaries, a collection of encounters with the dead and the famous. Support his work by buying it here (USA), here (UK), and here (Australia).